The song evokes summertime feelings, continuing the themes of going outside from the rest of the album. Tyler taps into 2000s R&B for “WHARF TALK,” featuring A$AP Rocky. The cadence he carries in the verses keeps the song fresh. The “Hittin’ wheelies like Chris retaliated” bar on the second verse is clever and was easy to miss on a first listen. On “WHAT A DAY,” Tyler samples a Madlib beat and displays some of the most effective and best rapping of his career. The confidence in both of their deliveries pushes across the song’s message well. Tyler contradicts all of this in the final verse while calling out the entire rap industry, where rappers often pull stunts solely to impress their peers. The two trade verses while rapping about traveling, jewelry and cars. Staples joined Tyler on tour as an opener on three separate occasions, most recently on the “CALL ME IF YOU GET LOST Tour.” The first feature comes in the second song of the new expansion pack and is titled “STUNTMAN.” Here, Tyler teams up with Staples, marking the first collaboration between the two after years of being closely associated with one another. Smooth transitions continue throughout the new songs. The intro transitions into the following song nicely. He thanks his fans for the success and positive reception he received during the “CALL ME IF YOU GET LOST” era. ![]() Tyler begins the new set of songs with a spoken-word intro. The feature list includes Long Beach native Vince Staples, longtime collaborator A$AP Rocky and Compton rapper YG. In a tweet, Tyler described the new songs as unreleased songs from the “CALL ME IF YOU GET LOST” era. Inspired by the mixtape series “Gangsta Grillz,” Tyler recruited DJ Drama to emcee the record and return for the expansion. “The Estate Sale” features eight new tracks that were added to the original album’s run of 16 songs. CALL ME IF YOU GET LOST, though, is a chance to see if they can recognize rap greatness once it has kicked their door in.Tyler, The Creator has returned with an expansion pack to his 2021 album “CALL ME IF YOU GET LOST.” Giving the Grammy the benefit of the doubt, maybe they wanted to reward all the great rapping he’d done until that point. “WILSHIRE” is potentially best described as an epic poem. And then there’s “RUNITUP,” which features a crunk-style background chant, and “LEMONHEAD,” which has the energy of Trap or Die-era Jeezy. ![]() ![]() The vibes across the album are a disparate combination of sounds Tyler enjoys (and can make)-boom-bap revival (“CORSO,” “LUMBERJACK”), ’90s R&B (“WUSYANAME”), gentle soul samples as a backdrop for vivid lyricism in the Griselda mold (“SIR BAUDELAIRE,” “HOT WIND BLOWS”), and lovers rock (“I THOUGHT YOU WANTED TO DANCE”). Tyler made an aesthetic choice to frame CALL ME IF YOU GET LOST with interjections of shit-talking from DJ Drama, founder of one of 2000s rap’s most storied institutions, the Gangsta Grillz mixtape franchise. The focus here is very clearly hip-hop from the outset. Tyler superfans will remember that the MC was notoriously peeved at his categoric inclusion-and eventual victory-in the 2020 Grammys’ Best Rap Album category for his pop-oriented IGOR. But in this case, an exceptionally great one. But across CALL ME IF YOU GET LOST, the man once known as Wolf Haley is just a guy who likes to rock ice and collect stamps on his passport, who might whisper into your significant other’s ear while you’re in the restroom. The Los Angeles-hailing MC, and onetime nucleus of the culture-shifting Odd Future collective, made a name for himself as a preternaturally talented MC whose impeccable taste in streetwear and calls to “kill people, burn shit, fuck school” perfectly encapsulated the angst of his generation. There’s a handful of eyebrow-raising verses across Tyler, The Creator’s CALL ME IF YOU GET LOST-particularly those from 42 Dugg, Lil Uzi Vert, YoungBoy Never Broke Again, Pharrell, and Lil Wayne-but none of the aforementioned are as surprising as the ones Tyler delivers himself.
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